I’m not often overly enamored of the various trinkets that stately home owners like to put on show to the Great Unwashed – i.e. you and I, Joe Public and the like. I mean, I love the historic settings and there is definitely great value to be imbibed through getting up-close-and-personal with the hoity-toitys’ treasures but sometimes these things can leave one really wondering if there ever were real people who, once upon a time, loved these objet d’arte as much as the historians would have us believe.
The Carlisle Collection, a unique collection of truly outstanding miniature rooms, fully furnished in intricate detail and commissioned by Mrs Kitty Carlisle in the early to mid twentieth century, is housed in the attic rooms of Nunnington Hall, near York in North Yorkshire.
It is enchanting; stepping in to see each display case is a sheer delight.
The scale is reportedly on an uncommon 1/8th (1 inch = 8 inches) measurement – uncommon because most other similar artifacts are usually on the smaller 1/12th scale (1 inch = 12 inches). The considerable attention to detail is outstanding and evident in each of the dozen or more displays.
This means that everything is really tiny, but perfectly formed.
… so many possibilities, so little time! I’ll leave whatever comparisons you want to make to your own imaginations 🙂
The first room to capture my attention was the Antique Shop – apparently this was what she constructed with everything that was left over from furnishing the other rooms. What a creative way to display the gallimaufry of ephemera that had no other place! ‘Something doesn’t fit in any of the other settings? No worries! Let’s create an antique shop so nothing looks out of place!’ It’s a stroke of genius, in my mind at least.
Totally mesmerizing, I was fascinated with the tiny ceramic animals sitting on a display table and an exquisitely etched silver tea service on a silver tray. Looking through the glass in the front door made me feel like an actual giant. Truly. I suddenly completely understood Alice in Wonderland at the deepest level.
Next we spied the tiny greenhouse, complete with potted plants and gardening tools. *Squee!*
The painter and decorator’s workshop floored me with the rolls of wallpaper, stacked neatly on a shelf – Mrs Carlisle had taken the trouble to PRINT a variety of different patterns onto the wallpapers in store – one was conveniently opened up for inspection on the work bench.
Teeny tools and even the bicycle parked under the stable door made me smile broadly. I was really beginning to enjoy the display!
Now we moved across the hall to another room filled with enclosed display cabinets. These were nothing short of spectacular. I was delighted also to spot that the National Trust provided appropriate portable stepping platforms so that younger visitors might be able to see the marvelous detail for themselves – it’s a nice touch.
The Adam Music Room with its variety of splendid instruments, including a mandolin, a Spanish guitar, cello, viola, violin, clarinet, harp and harpsichord as well as a music stand with sheet music stacked up rather precariously made me wish I had such a room in my own house.
The Palladian Hall, reputedly the last of the rooms to be commissioned by Mrs. Carlisle is modeled on one at Hatch Court in Somerset.
The balustrade pattern was hand carved and then each of the 84 balusters were cast in brass whilst the 88 inches of carpet for the stairs was hand embroidered by the dedicated Mrs Carlisle, who also created all of the soft furnishings for each room setting.
The Georgian Bedroom then is even more fascinating (for textile-techies such as me at least) by this fact – take a look at the teeny little patches that Mrs Carlisle used to make the quilt for the bed – each one can be no more than a quarter-inch in size. And they are hexagons.
And, remember that back in the times that she made these remarkable bed-coverings, she would have had to have cut each tiny hexagon out by hand, tacked it to a tiny card template and then stitched each with minuscule stitches to the next in order to create the 12 inch long (approximately) counterpane. My mind was simply boggled!
The Queen Anne Drawing Room was actually Kitty Carlisle’s first commission, which she had modeled upon F.J Early’s Queen Mary’s Dolls House.
The attention to detail is simply breathtaking – dovetailed joints and even secret compartments in the writing bureau! I was also informed that the china is genuine Limoges Porcelain. Again, our seamstress busied herself with tapestries for the chair covers and footstools as well as the handsome room carpet.
Also (not pictured) there is the Day Nursery, which features a delightful toy Noah’s Ark, complete with a long line of paired animals, patiently waiting their embarkation amongst many other cherished toys; there’s also a Night Nursery, complete with a cot and a crib and other accouterments to childish slumber. It’s just lovely to see.
What a wonderful way to spend an hour or two – if you ever get a chance to visit, this is definitely a must-see attraction, especially if, like me, you’re interested in miniature worlds.
NB: With regards to copyright; I did ask if it was OK to take photos and was informed that as long as I didn’t use a flash this would be OK and I do hope that I’m not upsetting any copyright rules by publishing my own photos here – if anyone is concerned about this, please can they let me know by contacting me via the contact details on the ‘contact page’ of this website. Thanks.
There’ll be more about our trip to Nunnington Hall last weekend, which we went to in order to see the gorgeous ‘Aspects of Rievaulx Abbey’ Exhibition that was showing my two art teachers’ work, Anne Thornhill and Paul Blackwell – that’s a whole other post though, so keep reading!